I'm having a lot of fun with this, because I'm trying to play with Squash&Stretch and goofy inbetweens. Lately I've been wanting to do work like John Kricfalusi. I've never done really loose, cartoony stuff before, and it's something I want to practice for a while.
Sunday, October 16, 2011
More Robo
I'm having a lot of fun with this, because I'm trying to play with Squash&Stretch and goofy inbetweens. Lately I've been wanting to do work like John Kricfalusi. I've never done really loose, cartoony stuff before, and it's something I want to practice for a while.
Friday, October 14, 2011
My hero
I first saw this video a couple of months ago, and it's probably the most inspirational video I've ever seen. Nothing gets me more gung-ho and ready to animate than this speech by Ralph.
(honestly, I'm posting it here so it's easier to find next time I need to light a motivational fire under my butt.)
Thursday, October 13, 2011
Wizards, Again
Ok, I've gotta rant about Wizards again. I'm trying to figure out why I love this movie so much. I honestly watched it four times in a row yesterday. I've never done that before! There are so many things about Bakshi's films that I adore. I love that you can see it was made by hand. I love the low-budget feel.
Yes, all traditionally animated movies are hand-made, but there's something about Bakshi's films that remind you you're watching something made by a group of passionate people. There's a saying about animation along the lines of, "If the audience can catch what you did, you're not doing your job well enough." But for some reason that's what I crave. I'm so excited to see little imperfections, because then I feel connected with the artist.
Another great thing about his movies is the stylistic disconnect between the backgrounds and the characters. You have simple, animatable characters set against intricate backgrounds that are delicately inked with pen, or painted in watercolor, or even filmed in live action. And for some reason it works, and makes me want more.
Yes, all traditionally animated movies are hand-made, but there's something about Bakshi's films that remind you you're watching something made by a group of passionate people. There's a saying about animation along the lines of, "If the audience can catch what you did, you're not doing your job well enough." But for some reason that's what I crave. I'm so excited to see little imperfections, because then I feel connected with the artist.
Another great thing about his movies is the stylistic disconnect between the backgrounds and the characters. You have simple, animatable characters set against intricate backgrounds that are delicately inked with pen, or painted in watercolor, or even filmed in live action. And for some reason it works, and makes me want more.
Ralph Bakshi proved that you can make a good movie that has heart without spending millions of dollars. All you need is a handful of determined artists (seriously, there were 5-6 animators on this entire film!), and an honest, heart-felt story that you want to show to an audience. I want my own films to reflect his style and outlook.
Wednesday, October 12, 2011
Robo
Tuesday, October 11, 2011
Cats
After seeing this post on Andreas Deja's blog, I was (as usual) blown away by Adreas' lines. It got me wanting to draw some big cats as well. Nowhere near Mr. Deja, but I had a lot of fun, and plan on doing more.
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